Archive - June, 2010

Sexy Apple: The iPhone 4 and Adam’s Temptation

What is it with a piece of fruit that we shouldn’t eat?

The Twittersphere has been buzzing for the last 24 hours about the release of the new Apple iPhone 4. Everyone wants to have it. It’s the latest, greatest, fastest, sleekest, most beautiful handheld device pumped with technological steroids that humans have every seen, held, and smelled. Admit it. If you got a new one, you smelled it, too.

The iPod was pretty rockin’ sweet yet was outdone by the iPod Touch. In the midst of many other computer and mobile device “upgrades,” the iPod Touch grew up and became the iPad. And now here we are. The iPhone 4. Because the iPhone 3 just wasn’t enough. Phone. E-mail. Navigation. Music. There’s an “app” for all o’ that.

From aluminum casing paired with a black keyboard to tiny white, recognizable earbuds, Apple has artistically designed their products to be sexy and sleek – visually appealing on a number of levels. Apple products are so appealing that large numbers of people stood in line for hours to get their hands on their very own little new release. It seems as though the newest Apple product is irresistible. Somewhat similar to the story recorded in the Bible of the first man, Adam, who was unable to stay away from the forbidden apple in the Garden of Eden.

Apparently, whether we’re talking about a communication device or a piece of fruit from a tree, that is one seriously sexy Apple. And we can’t resist it.

What do we do with our temptation?

Continually seek to fulfill our self-focused pleasures?

Justify our addictions to technology and/or having the newest, trendiest product?

Aren’t we in somewhat of a predicament (as I type on my MacBook Pro)?

What do we do with our temptation and addiction?

What does it mean to be Christian?

What does it mean to be Christian?

Does it mean that one confesses “sin?”
Does it mean that one acts like a good person and treats others with love?
Does it mean that a person resembles a cultural idea of what others think is Christian?
Is a Christian someone who is committed to serving in the church?
Is someone Christian if they are trying to be a follower of Jesus?
Does it mean that a person will have a hopeful afterlife?
Does it mean that one is reconciled to Yahweh through some exterior means?

LOST: How do you write your story?

SPOILER ALERT: Readers are strongly encouraged to view the entirety of the television series LOST prior to reading posts in the LOST Series. Information about the characters and storyline of the show may be revealed.

The writers of LOST are masters of at least one thing: Storytelling. The art of storytelling has been tainted throughout the years particularly by the film industry. I have yet to read a book and then watch the film version and think that the film is better. I would be interested in reading and viewing any work where you might suggest a film format as superior to the original written text [I am anticipating that at least one person (those who come to mind shall remain nameless) is wanting to comment that "The Passion of the Christ" is better than the King James authorized version of the Bible; nonetheless feel free to comment]. Though LOST was not originally a written piece transferred to a television script, I think the example of film is consistent and the show captured even more than what a book could have contained.

I specifically enjoyed the metanarrative countered and accented by the subplots of individual characters’ stories. Multiple things occurred both at the same time and at quite different times (literally). I’ll address the “flash-sideways” scenes later. The essence of the storytelling allowed the audience to be invited into the lives of the characters but but subsequently maintained a sense of mystery. The viewer never knows everything about every character. We are left with many questions. In fact, the season finale reveals characters who apparently leave the island. The audience never knows what happens to them between their departure and their deaths. We are left wondering, “What happens in their stories? How do they write their stories from this point on?”

The question is one we need to ask ourselves and ask each other, “How do you write your story from this point on?”

LOST Finale: It Wasn’t the Last of LOST

As I was consuming the masterful television/literary hybrid finale of Carlton Cuse and Damon Lindelof, I checked my phone for incoming text messages and updates from Twitter. One “tweet” read, “T-minus 30 minutes until #LOST is over forever.” I quickly responded, “False: it will live on.” The television series was much more than… well… a television series. Its powerful and essential themes were captured by the magical character development and acting genius of those like Naveen Andrews, Michael Emerson, and Terry O’Quinn.

Not only will the messages, themes, and characters of LOST remain in viewers’ hearts and minds but I anticipates a prequel. A sequel would be too much. I’ll explain this is a later post entitled, “LOST: How do you write your story?” However, the period pieces were so mysterious and broad that a contextual back-story could be masterful. The characters Jacob, his nameless brother, and Richard could all be developed further with others who existed in the ancient era. The character of the island (and its/his/her attributes could also be further mystified and/or deified.

More posts in the LOST series to be published daily.